�Life is a wonderful, endless journey� if you know
how to live it.� Lorenzo Quinn
Until the end of September, in the Art-Gallery �Es Mol�, here in
Eivissa, on the road to Santa Gertrudis, we can admire a splendid
collection of exceptional bronze sculptures, an extraordinary and very
complete exhibition of the latest Art-works of the sculptor Lorenzo
Quinn.
There was a private presentation party in the gardens of the
Art-gallery, organised by Carlos Martorell, one of the Island�s most
famous amphytryons and public relations specialists in social and
cultural events.
Judging by the amount of security and bodyguards, it must have been full
of VIPs. Unfortunately I wasn�t one of them, but the success of the
exhibition was guaranteed from the very beginning.
Following the enormous success that Lorenzo and the Es Mol� Art-gallery
had last year with his presentation on the Island, it was also an
excellent opportunity for ibizaiistoryculture.com to increase our artists� gallery
with such a talented and recognised artist. His name is synonymous
with success, so here we go once again, Gary and I, to try to witness
this fantastic event, that is becoming one of the most anticipated and
celebrated Art and Cultural events of the Eivissa Summer.
One
must appreciate the challenge and great effort of the owners and
management of the gallery �Es Mol�, Vetik and Joel Roger, in bringing
to Eivissa such unusual exhibitions (unusual in this instance because
very little bronze has been exhibited on the Island, especially of this
quality and size).
As
soon as we arrived at the gallery on Monday afternoon, Gary (as usual)
started to shoot his camera, first to the sculptures, then - when
Lorenzo arrived - we had half an hour together for another photo session
and to talk about his art-pieces and a little about Eivissa, about its
present and its future. (Someone close to him told me that Lorenzo is
thinking seriously about buying a house on the Island).
I
must admit that I was rather intimidated and feeling slow, but only
because of my own limitations, not because of Lorenzo. He is a man
with exquisite manners and large culture (in about thirty minutes, I
heard him conversing in four languages, Spanish, Italian, French and
English, even a bit of Ibicenco-Catalan with the lorry-driver) that
makes everybody feel welcome and good by his side.
But
what impressed me most was what I think is the great humanity of this
artist; humanity reflected in all his art-works, not just in the
anatomical perfection of his sculptures, but also because these
sculptures evoke the highest ideals and feelings within the person.
They
are sculptures that confront humanity with the responsibility of their
own facts, with the importance of taking the right decisions, even
knowing that there are enormous uncontrolled and unknown forces that
lead the Universe and our World, therefore our life. But the last choice
- the last word - is always left to the free man�s will. So, with the
right decisions, a good will and a big heart we can trust our life to
these mysterious energies that hopefully will lead us the right way.
Words like �Love�, �Friendship�, �Creation�, �Nature�, can be read often
in the titles of his sculptures, titles that come with what I consider
as intimate thoughts or short poems. (In Quinn�s works, the idea comes
first, then the idea is put into words and afterwards, the words
materialise through his art and the creation appears). Let�s use some of
his own words, so we can all understand better what I�m trying to say.
This is what Lorenzo Quinn says about his own sculptures:
�Crossing a millennium�. As with every important turning point in our
life we are left to ponder on what we will find and about how our future
will be. The unknown scares us. We are finite creatures and our time is
limited by the way we live the time we are given. The figure crossing
the millennium is �Tunios�. We have seen this figure in the sculpture
�Stairs of Life� and there too he represented the past, present and the
unknown future. Especially since I have two children, I wonder what kind
of world we are bringing them into. The hole in the chest represents the
decisions and compromises of the heart one must make to achieve
tranquillity, now, into the new millennium and forever.
�Ascension�. Ascend for you have created and you have given.
You
taught me what I know and what I am is thanks to you.
You
have been my mentor, my polar star. In you I have reflected the image of
perfection only to have that image reflected back on me once again.
Perfection is to be measured within oneself.
Ascend to the hands of your creator for it is there that we will meet
again and there you will teach me more.
�The
Creation�. I believe in God, but above all I believe in having a good
conscience. Man was made to be perfect by being imperfect. It has always
amazed me to see how ancient cultures like the Egyptians were capable of
such perfect forms like the pyramids and how nature has itself created
perfect forms like the simple shape of an egg.
This
shows me that man and nature could be in perfect symbiosis. Artists such
as Michelangelo have tried to represent the creation of the perfect
being and its closeness to divinity. In turn, I want to represent the
symbols of these three forms, art, architecture and nature in one united
figure and to make people aware that we are not above anyone, but part
of a wonderful homogeneous chain, the chain of life.
By
the end of our meeting, as Lorenzo was working in the gallery�s gardens,
moving the heavy sculptures with the help of a lorry with a crane, I
asked him about his idea of the actual Eivissa: �This is still a
beautiful island, green and with a splendid Nature. This is why I come
here and I expect to keep doing it, at least for a time every year. But
you islanders have to be careful; everything seems to go too fast.
�I
understand that people want to earn good money, but you shouldn�t forget
that money is not everything. I don�t think that you should lose your
real quality of life and the splendid beauty of Ibiza just for the fact
of possessing more money. This is the risk that I see and I think it
will be a big error. It is my intention to create a sculpture for this
Island. As I see it, Ibiza is life, so its statue will be called
�Life�.�
As a
native, I want to truthfully thank you for these words.
Then
Lorenzo confuses me again by asking about some of the big names of the
Island, I felt again insecure and slow, because I�m sure he knows them
much better then myself, most probably they were some of the guests that
he had last Saturday at his presentation party.
�I
am not here for just the social life, not for the big clubs and the
night life either. I am here with my family to enjoy nature and live a
healthy, familiar life�.
Then
I said that having seen how much feeling and art we could see in dancing
a Greek �Siritaki� with real passion, who is interested then to see the
disco-dancers? We both smiled at this idea and that was the end, Away we
went, Gary and me, thinking this time that we have done a really good
job, for ourselves and for the name of Eivissa. (I hope and wish to be
at the right level as well).
The
following is from the book �Lorenzo Quinn� edited by
www.lorenzoquinn.com, especially for this exhibition, not to be missed
at �Es Mol� Art-gallery.
Lorenzo Quinn was born in Rome, Italy on the 7th May 1966. He
studied art at the American Academy of Fine Arts in New York and in
workshops and foundries both in the United States and Europe.
His
artistic endeavours are impressive and rewarding and have brought him
phenomenal success. He is inspired by the great masters, Michelangelo,
Bernini, Crapaux and Rodin, and he frequently returns to Italy for
inspiration and knowledge. Starting out as a painter in 1982, he soon
discovered that a dimension was missing from his works so turned to
sculpting because of a need to create. He felt that as a painter he
could not offer anything that had not been offered already by other
artists before him. Sculpture allows him to convey his innermost
feelings to the viewer. It is this direct communication which Lorenzo
constantly seeks. �It is the viewer that interests me, not the art
critic... I make art for myself and the people who wish to come along
for a ride through my dreams�.
Each
sculpture is born first in writing and then materialises. This is why
Lorenzo always displays his writings along with the sculpture �because
they are a whole, one could not exist without the other. I don�t believe
in purely decorative work. It must transmit emotions; it must say
something to me and the people that observe it�. He gets his
inspirations to create from life�s everyday experiences, as well as from
poems and literature in general but especially from observing life�s
energy. Symbol-realism is the nomenclature most commonly used when
viewing Lorenzo�s works. Savouring life to its fullest is very important
to Lorenzo; it allows him to �enjoy the many different aspects of
existence�. As a result, each of his works represents a period, an
emotion, a symbol.
Lorenzo Quinn�s artistic curriculum started in 1986, with an exhibition
in the Center Art Galleries, at Maui, USA. Since then, he has been
exhibiting his sculptures every year, in the most important Cities, in
Art-centres and galleries of the USA, Italy, Austria, Germany,
Switzerland, Spain, France, Belgium, United Kingdom, Holland, Monaco,
Hong Kong, China, South Korea, and Dubai... His Art-pieces form part of
private collections all over the World and his commissions can also be
seen in many countries. His film-star father Anthony Quinn died just
over a year ago and Lorenzo says he is sorry he is not here to see this
exhibition.
ART EXHIBITIONS
2002
-
Lorenzo Quinn & Anthony Quinn
Sculptures Exhibition
Dubai Media City, Dubai, UAE
29th May to 21st June 2002
-
Galerie Schaer und Wildbolz
St. Niklausstrasse 5, Solothurn, Switzerland
16th June to 14th July 2002
-
Es
Mol� Gallery, Ibiza, Baleares, Spain
27th July to 29th September 2002
-
Halcyon Gallery, Brutton Street, London, England, September
-
Halcyon Gallery, Selfridges, London, England
2nd to 17th November 2002
-
Villa Manin, Italy
-
Zurich
2001
-
Halcyon Gallery, ICC Birmingham, England, 10th to 25th
November
-
Hotel del Arte, Sitges, Spain
-
De
Arte, Madrid, Spain
-
Parador de Turismo, Arties, Spain
-
TEFAF 2001, Maastricht, Netherlands
-
ArTrade, Maastricht, Netherlands
-
Maison de l'Amerique Latine, Monaco
-
Galeria Es Moli, Ibiza, Baleares, Spain
-
Liehrmann Galerie, Liege, Belgium
-
Credit Foncier, Montecarlo, Monaco
-
Credit Foncier, Cannes, France
-
Halcyon Gallery,
London, England
2000
-
Sala Pere Pruna, Barcelona, Spain
-
Parador de Turismo de Arties, Valle de Ar�n, Spain
-
Sala de Exposiciones "Cr�dit Andorr�", Andorra
-
Contemporary Art Museum, Hong Kong, China
-
Espai Cultural Pere Pruna, Barcelona, Spain
-
Ayuntamiento de Castelldefels, Spain
-
Galeria Echeberria, San Sebasti�n, Spain
-
Hotel Estela Barcelona, Sitges, Spain
-
Galerie Jedlitschka-Fedjuschin, Zurich, Switzerland
-
Veranneman Foundation, Kruishoutem. Belgium
-
"Art and Image", Cannes, France
-
ARCO 2000, Madrid, Spain
-
Galeria Fons d'Art, Olot, Spain
1999
-
Galerie Jedlitschka-Fedjuschin, Zurich, Switzerland
-
Parador Nacional de Arties, Valle de Aran, Spain
-
Galeria Castello 120, Madrid, Spain
-
Deutsche Bank, Madrid, Spain
-
La
Maison de l'Amerique Latine de Monaco, MC
-
Ayuntamiento de Sitges, Spain
-
Castell de Benedormiens, Castell d'Aro, Spain
-
Art Expo '99, Barcelona, Spain
-
Banco Bilbao Vizcaya, Barcelona, Spain
-
Palais des Rois de Majorque, Perpignan, France
1998
-
Seoul Art Center, Seoul, South Korea
-
Caja de Ahorros de Gran Canaria, Las Canarias, Spain
-
Ayuntamiento de Sevilla, Sevilla, Spain
-
Palacio del Almud�, Valencia, Spain
-
Liehrmann Galerie, Liege, Belgium
-
Galer�a Juan Oliver Maneu, Palma de Mallorca, Baleares, Spain
-
Palacio del Marqu�s de San Adri�n, Tudela, Spain
-
Art Expo '98, Barcelona, Spain
-
Squisito Gallery, Kortrijk, Belgium
-
Galer�a Castell� 120, Madrid, Spain
1997
-
Galer�a Summers, Madrid, Spain
-
Galer�a Echeberria, San Sebastian, Spain
-
Galer�a D'Art Susany, Vic, Spain
-
Galer�a Argar, Almer�a, Spain
-
Art Expo '97, Barcelona, Spain
-
Galer�a D'Art, Granollers, Spain
-
Galer�a Maria Salvat, Barcelona, Spain
1996
-
Galer�a Llahi, Escaldes, Andorra
-
Galer�a Nay, Palma de Mallorca, Baleares, Spain
-
Seehof Galerie, Davos, Switzerland
-
Waldhaus Am See Galerie, St. Moritz, Switzerland
1995
-
Galleria D'Aste la Gioconda, Modena, Italy
-
Mus�e du Louvre, Paris, France
-
Galerie Michelle Boulet, Paris, France
-
Waldhaus Am See Galerie, S. Moritz, Switzerland
1994
-
Galerie Corso, Vienna, Austria
-
Museo del Pobo Galego, Santiago de Compostela, Spain
-
Palacio de Gabiria, Madrid, Spain
-
Real C�rculo Art�stico, Barcelona, Spain
-
Museo de Grabado Espa�ol Contempor�neo, Marbella, Spain
-
United Nations, New York, USA
1993
-
Eurobuilding Gallery, Caracas, Venezuela
-
Sheidegger Art Center, Zurich, Switzerland
-
Galleria Edieuropa, Rome, Italy
-
Steinrotter Gallery, Munster, Germany
1992
-
Galerie Corso, Vienna, Austria
-
Westport Art Center, Wesport, USA
-
Mayfair Gallery, New York, USA
-
Gallery at Sands, Atlantic City, USA
1991
-
Ambassador Galleries, New York, USA
-
Benedetti Gallery, New York, USA
-
Galleria Hausamann, Cortina, Italy
1990
1988
1987
1986
COMMISSIONS
-
Nacional Suiza Insurances
-
Monumental Sculpture
�Parque del Mar�, Castelldefels, Barcelona, Spain
-
Monumental Sculpture
For the City Council of Viladecans, Barcelona
-
�Re-encounter�,
Palma de Mallorca, Baleares, Spain
-
Three life-size Sculptures
For Midland & City Developments, King Edwards Wharf, Birmingham,
England
-
San Miguel S.A.
Trophy for the Mallorca Open ATP Tennis Tour
-
Illustrious Official Medical College of Madrid, Spain
-
Chupa Chups S.A.
-
Euroforum Escorial
-
Inauguration of the Sculpture
�The Friendship Fish� at Ampunriabrava, Girona, Spain
-
Monumental Sculpture
Dubai National Bank, Dubai, UAE
Lorenzo Quinn
Decision
Bronze 120 x 120 x 200 cm |
|
The Hand of God
Bronze 52 x 87 x 47 cm |
|
The Circle of Life
Bronze, Wood & Iron
163 x 160 x 160 cm |
|
|
Pain and Relief
Bronze 155 x 70 x 50 cm |
|
Roots
Bronze 61 x 22 x 26 cm |
|
Yell
Bronze 55 xs 16 x 16 cm |
|
|
Stairs of Life
Bronze 105 x 102 x 102 cm |
|
Destiny
Bronze 81 x 81 x 76 cm |
|
|
Saint Anthony
Bronze 102 x 46 x 51 cm |
|
Levitation
Bronze 51 x 86 x 59 cm |
|
|
I Give You My Heart
Bronze 21 x 21 x 19 cm |
|
Horses
Bronze 80 x 53 x 44 cm |
|
Adam and Eve
Cast Granite 42 x 24 x 24 cm |
|
|
Flamenco
Bronze 78 x 72 x 34 cm |
|
Volare
Bronze 28 x 20 x 17 cm |
|
Autumn
Bronze 55 x30 x 30 cm |
|
|
At Rest
Bronze 110 x 90 x 100 cm |
|
Destiny 11
Bronze 34 x 46 x 64 cm |
|
|
Self-Portrait
Bronze 35 x 20 x 30 cm
All
Pictures Courtesy of Lorenzo Quinn |
Details: If you should require any further information about Lorenzo
Quinn and his work then we suggest you visit his personal website at
http://www.lorenzo-quinn.com
where there is a vast amount of information and pictures of the artist
and his work. |